BLOOD SCION by Deborah Falaye

Steeped in Yoruba-Nigerian mythology, the world Deborah Falaye creates is immersive, graphic and fascinating. I particularly enjoyed the extensive history and culture that unapologetically showcases the Yoruba language. While there is no avoiding the wealth of information needed to establish this complex world, I love that Deborah takes her time to gradually weave this information into the story. This allows the fast pace of the story to be maintained and presents the details in manageable pieces.

A PHO LOVE STORY by Loan Le

The simple writing is easy to follow and enjoyable, but it is not hugely striking or engaging. Even the alternating points of view between the two main characters fail to add much to the story as information is often summarised and repeated with each narrative switch. What I loved was the slight integration of the Vietnamese language. This is just one of the many ways Loan Le shows that she is unapologetically proud of her culture, and I was here for it!

THE HERO OF AGES by Brandon Sanderson

If there were any doubts in my mind about Brandon Sanderson’s ability to create a deep and complex world, this book erased them all. His writing is just as vivid and effortless as ever, with every word coming to life in my mind. I was also amazed by how much depth Brandon adds to the world and characters of the Final Empire. This information is gradually introduced through multiple points of view, so it is not overwhelming.

AS GOOD AS DEAD by Holly Jackson

Holly Jackson’s writing is just as vivid and striking as ever. The story she weaves is brought to life through the intricate details and creative media elements I have come to expect from this series. However, I was slightly disappointed that this book only has a few media elements compared to previous books since these were one of my favourite things about the series.